In a previous post I said I was taking my guitar into the shop to have the intonation (among other things) set. So what is this thing called intonation?

Intonation refers to the notes on the guitar being in tune all the way from open to the high end of the fretboard. If a guitar’s intonation is set properly every E note played on the fretboard will have the proper pitch. If the intonation is off, usually the notes at the nut end of the fretboard will be correct, but they will slowly become sharp or flat the further you move up the fretboard.
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Tuning is probably one of the most basic things you can learn about guitar. There is a lot of basic guitar theory that you can pick up in the process of learning to tune that can be essential down the line. For example one of the most important things you can learn is the notes of the strings in standard tuning. When reading guitar instructions quite often the writer will use phrases like “fret the A string on the 5th fret”. Once you have the string names memorized things like that will become natural.

At this point I could go ahead and write another set of instructions on how to tune a guitar, but there really is no point. There are so many resources out there which do just as good of a job if not better than I could. The tuning guide at WholeNote for example is a great set of instructions for the beginner.

Here are some quick points I would like to mention though:

A guitar can be tuned many different ways, but standard tuning refers to the most common configuration. This tuning starting from the low string to the high is E – A – D – G – B – E.

A string should always be tuned up to pitch. This means you should tune the string slightly lower than the note you want and then slowly tighten the string until it gets to the desired pitch. If you go beyond the pitch you wanted, turn the peg back below the note and tune back up again. Tuning this way will lower the chance of the string going out of tune as you play.

When you put new strings on a guitar you will have to tune it more often. As the strings get worn in and stretch a bit they will stay in tune better.

You want to make sure your guitar is always in tune when you are playing it, especially when you are learning. You want to do as much as you can to train your ear to the way the guitar should sound, and playing out of tune won’t help you there.

Once you get the hang of standard tuning play around with some alternate tunings, like dropped-d, open, or step down tuning.

If you are going to play with alternate tuning remember that your guitar is setup specifically for a specific tuning and gauge of strings. If you change the tuning of your guitar you may have to get it professionally setup, and in extreme cases you may cause damage to it. If you change the tuning and your strings become hard to play or start buzzing a lot, it’s probably a good idea to change back to standard tuning.

As I said above, the guitar tuning guide at WholeNote is a great resource. If that one doesn’t do it for you just do a simple Google search for guitar tuning and you’ll get a hundred other how-to’s.

Alexi Laiho is definitely one of my favourite guitarists. While his sound might not be as unique as that of Eddie Van Halen or Zakk Wylde, it is different enough to pick out. Someone once said to me “How does he make his guitar sound like a Nintendo?”. I believe they were mistaking the keyboard in the song for Alexi, but thats what I like about it. His sound really does harmonize with Children of Bodom’s keyboard very well.

The surprising thing is Alexi Laiho’s rig is very simple. From the single EMG-H4 pickup in his signature ESP to the effect free rack setup, it is literally just plug-and-play. One thing you may have noticed about Alexi’s guitar sound is it has above average amount of base. This is due to a custom gain boost built right into his guitars (copy of a Jackson boost made in the 80s). I personally like that sound a lot, it adds that extra ka-chunk to his rhythm riffs.
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We have all had our Iron Maiden phase right? I know I have… It came just slightly after my Metallica phase and just before my Zakk Wylde phase… Although, I don’t know if I can call it a Zakk Wylde phase if it never ended. Anyway… back to Adrian Smith. Maiden was always known for their harmonizing guitar licks. So lets see what Adrian uses today to bring his music to the ear.

Adrian Smith’s Guitar Rig

Adrian uses a combination of Marshall all tube heads (30th Anniversary) and digital effects to create his sound. One thing that is uncommon is for a guitarist to go both ways… thats right, I’m talking about Fender and Gibson. Adrian uses both American Fender Stratocaster’s (with Floyd Rose) and Gibson SG Standard’s. He has two of both, a main and a backup. The SG is usually tuned to drop-D and is stock. The Strat has SRV Texas Special pickups in the neck and middle pickups with a DiMarzio in the bridge and is in standard tuning. Adrian says that he prefers to use a patch cable to connect his setup to his guitar as opposed to wireless. In fact, he usese a 60-foot Peter Cornish patch cable. He says that he just prefers the sound, whether it actually makes a difference or not, he’s not sure.

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How often you change your stings all depends on how often you play and what type of strings you use. As you play a set of stings they will slowly lose their tone due to stretching and oil and dirt buildup. The sound of the strings may be the deciding factor in changing them.

You can preserve the tone of your strings somewhat if you clean your hands before playing the guitar and clean the strings after you are done. You can buy string cleaning formulas, but wiping them with a clean dry cloth should do. My hands build up a bit of a sweat when I’m playing for long periods of time, so cleaning that off really prolongs the life of my strings.

I have heard you should be able to expect anywhere from 12 hours of play and up depending on what types of strings. Now 12 hours of play isn’t very much. If you play 2 hours a day that’s once a week you would have to change your strings. Basically what that time means is after 12 hours of play the strings will start to lose their initial tone. If you are playing gigs or are a touring musician, that might be required for you, but for the average Joe its overkill. (more…)

In about 2 hours time I will be heading down to the MacEwan Ballroom at the University of Calgary to see Arch Enemy with guests Chimaira. I’m pretty excited for this show, I have never seen Arch Enemy play and I think Michael Amott is a wicked guitarist. In light of this I thought I’d do a post up about Amott’s guitar setup.

Michael Amott uses some complex midi switching on his live setup. Since he does a lot of switching in his songs and he didnt want to go with a multi-effect setup, he settled on a MIDI-controlled Providence looping/switching system.

From Guitar to Amp

It’s not that simple to describe Michael’s setup in list form since he uses multiple effect loops connected to his MIDI switch, but I’ll do my best. (more…)

Serg has posted some great information about fret buzz on his site Guitar Daily. He goes into perfect detail on the causes of fret buzz and how they can be rectified.

To sum up his posts causes could be:

1. Old strings
2. New strings that have not settled
3. Action is too low
4. Bent or warped neck
5. Inconsistent fret heights

If you are experiencing buzzing on your frets I suggest you head over and read his posts.
Top Reasons For Guitar Fret buzz
Fret Buzz – Guitar Action
Fret buzz – low and high frets
and Fret Buzz: Neck Relief, Bow And Back Bow at Guitar Daily.