Alexi Laiho is definitely one of my favourite guitarists. While his sound might not be as unique as that of Eddie Van Halen or Zakk Wylde, it is different enough to pick out. Someone once said to me “How does he make his guitar sound like a Nintendo?”. I believe they were mistaking the keyboard in the song for Alexi, but thats what I like about it. His sound really does harmonize with Children of Bodom’s keyboard very well.

The surprising thing is Alexi Laiho’s rig is very simple. From the single EMG-H4 pickup in his signature ESP to the effect free rack setup, it is literally just plug-and-play. One thing you may have noticed about Alexi’s guitar sound is it has above average amount of base. This is due to a custom gain boost built right into his guitars (copy of a Jackson boost made in the 80s). I personally like that sound a lot, it adds that extra ka-chunk to his rhythm riffs.

Continue reading Guitar Gear: Alexi Laiho of Children of Bodom Guitar & Amp Setup

We have all had our Iron Maiden phase right? I know I have… It came just slightly after my Metallica phase and just before my Zakk Wylde phase… Although, I don’t know if I can call it a Zakk Wylde phase if it never ended. Anyway… back to Adrian Smith. Maiden was always known for their harmonizing guitar licks. So lets see what Adrian uses today to bring his music to the ear.

Adrian Smith’s Guitar Rig

Adrian uses a combination of Marshall all tube heads (30th Anniversary) and digital effects to create his sound. One thing that is uncommon is for a guitarist to go both ways… thats right, I’m talking about Fender and Gibson. Adrian uses both American Fender Stratocaster’s (with Floyd Rose) and Gibson SG Standard’s. He has two of both, a main and a backup. The SG is usually tuned to drop-D and is stock. The Strat has SRV Texas Special pickups in the neck and middle pickups with a DiMarzio in the bridge and is in standard tuning. Adrian says that he prefers to use a patch cable to connect his setup to his guitar as opposed to wireless. In fact, he usese a 60-foot Peter Cornish patch cable. He says that he just prefers the sound, whether it actually makes a difference or not, he’s not sure.

Continue reading Guitar Gear: Adrian Smith of Iron Maiden Guitar & Amp Setup

In about 2 hours time I will be heading down to the MacEwan Ballroom at the University of Calgary to see Arch Enemy with guests Chimaira. I’m pretty excited for this show, I have never seen Arch Enemy play and I think Michael Amott is a wicked guitarist. In light of this I thought I’d do a post up about Amott’s guitar setup.

Michael Amott uses some complex midi switching on his live setup. Since he does a lot of switching in his songs and he didnt want to go with a multi-effect setup, he settled on a MIDI-controlled Providence looping/switching system.

From Guitar to Amp

It’s not that simple to describe Michael’s setup in list form since he uses multiple effect loops connected to his MIDI switch, but I’ll do my best.
Continue reading Guitar Gear: Michael Amott of Arch Enemy Guitar & Amp Setup

Mark Morton’s stage setup is really geared towards mastering the mids. He splits his guitar signal into two channels using a Whirlwind Selector and then runs it through two Mesa/Boogie Mark IV heads. He then sets one of the heads with the mid frequencies scooped and the other with them boosted. Before each show he and his sound tech work together to balance the two heads and get the best sounding mid frequency.
Continue reading Guitar Gear: Mark Morton of Lamb of God Guitar & Amp Setup

When recording As I Lay Dying’s 2005 album Shadows are Security, guitarist Phil Sgrosso was introduced to the Krank Revolution Series One head by the album’s mixer Andy Sneap. Since then he wouldn’t dare use anything else for live shows. He is often told how much the live shows sound like the album, which is always great to hear.

As far as live setups go Sgrosso’s is pretty simple and straight to the point. The main focus of his setup is distortion. He has two Krank Revolution Series One 100-watt tube heads (a primary and a backup) hooked into four Mesa/Boogie Recto-Standard straight-front 4×12 cabinets. The cabs house Celestion Vintage 30s. Something that is interesting is that the two upper cabs are not even plugged in.
Continue reading Guitar Gear: Phil Sgrosso from As I Lay Dying Guitar & Amp Setup