If you are buying a $20,000 aged Blackie guitar, I doubt you are planning on playing it at gigs and jams. One thing is for sure, you aren’t going to want to stick it into a case in the back of your attic or closet. I know you’ll want to flaunt your excessive spending to all of your friends and family. Who wouldn’t?

That would be the entry cue for Great Case Cabinet Company. They build sealed glass wall cases that provide a controlled humidity environment for your sensitive instruments. In all seriousness I hate storing my guitar in it’s case. I like to have it displayed out in the open where it can call me from across the room to play it.

The company makes a range of wall cases for acoustic and electric guitars, violins, harps, mandolins, and whatever else you might want to stick in there. If need be they will also make you a custom case to your own specifications. I know a few people who have hanging guitar mounts for their wall. Well why not have a humidified case to go around that? It’ll be like your guitar never left the guitar store.

Like I said, the cases come in a few different standard sizes, but the company does take custom orders. They offer a selection of woods, finishes, fabrics, hinges, and latches with pricing that ranges from $425USD to $1125USD and up for custom jobs.

[Via Harmony Central]

Gibson’s marketing department always seems to be a few steps behind, but they have finally updated the Gibson Custom website with details about the Zakk Wylde custom Flying V guitar.

There aren’t really any more details beyond what was known before, but they have release a [huge ass] 6MB 2 page PDF that displays it all in one inconveniently large package. Here is the little marketing writeup from the PDF:

THE CUSTOM SHOP DIFFERENCE
It burns in the heart of every player who purchases
a Gibson Custom Shop guitar… and it burns in the
heart of every employee who helps build our
world-class instruments.

We vow to continue infusing every instrument that
passes through our doors with that same passion.
It’s what makes our guitars the best.

From initial wood selection to final assembly, we
sweat the details so that when you pick up your
guitar, your dream, it exceeds every expectation
you could possibly have.

For 2007, we will continue to strive for excellence,
remain faithful to our history, and never lose sight
of our goal to build the fi nest guitars in the world.
Pick one up for yourself. Feel the passion that we
put into our guitars and release yours.

From what I can see they are still only making 100 of these bad boys. This is guaranteed to be a Gibson Vintage in about 50 years.

[Via Electric Guitar Review]

I am going to go on a bit of a rant right now and just toss this out there. Can someone please tell me what the appeal of a replica guitar is? Ok, so signature guitars are one thing. You want to sound as close to your guitar idol as humanly possible, so you buy all of their gear including their brand new INSERT GUITAR MANUFACTURER HERE Signature guitar. But I just don’t get where guitar makers are finding a market for all of these replica guitars complete with every scuff, stain, and scratch of the original.

The first one I saw was ESP’s James Hetfield Truckster. It comes complete with the same wear marks that are found on James’ original. Ok… sort of a cool idea, I’ll dig it. Then I came across Dean’s Dimebag Darrell Dean from Hell ML replica. Again… ok, even though I have issues with Dean taking advantage of Dime’s now legend status to sell guitars after his untimely death (RIP Dime).

Then the big announcement at NAMM was Eddie Van Halen worked out a deal with Fender to produce a limited number of exact replicas of his Frankenstrat guitar. Now… I don’t think I need to point out the obvious, but I will anyway. The original wasn’t even a Fender. In fact it said Charvel right on the headstock. So is fender going to go as far as to find the same original parts that went into making the original Frankenstrat? I really don’t think so. Never the less, they will sell for thousands of dollars.

Even as I write this I came across this Gibson Custom Limited Run Zakk Wylde Bullseye Aged Les Paul. Again, who wants to pay $7,999USD for scuffed up replica?

Gibson has released their second Guitar of the Week and man is it stunning. Gibson announced the Les Paul Classic Antique at this years NAMM Gibson has been making it for years. Look at the amazing finish on this guitar. Gibson calls it Fireburst and I think it is just freaking amazing.

Like I said the guitar is a run of the mill Classic Antique complete with ‘57 humbuckers, ’60s slim taper profile, rosewood fingerboard, and antique binding. The Les Paul is no different from others keeping the 3-way pickup toggle switch and volume/tone controls in their standard positions.

Obviously we can’t expect Gibson to be putting out a totally unique Custom each week, but I hope we get to see some more variations from their standard product lineup in the future. Again though, I am all about this finish. I think it’s stunning.

Every Tuesday every week Gibson plans to announce a new limited edition guitar that will only be available for that week. They are calling the program Gibson Guitar of the Week. A maximum of 400 of each model will be made and after that, there will be no more.

The first model to come out is the SG Supreme Bass. Interesting that they choose to do a bass for the first “Guitar of the Week”. I’ll be keeping up with the guitars that come out of this program.

Well, it’s that time of year again and NAMM Show has come and gone…. and I missed again. It’s not like I missed the actual show, because I’m not a NAMM member, but I did miss all the fresh news about products and such.

For those of you not in the loop, NAMM used to stand for “National Association of Music Merchants”. These days they have dropped the full name and just go by the acronym. Basically they are a global organization for the musical equipment industry. Each year they hold a trade show that exhibits all the great new music making products from every company. It is not open to the public, you have to be a NAMM member to attend and to be a NAMM member you have to make, buy, and/or sell musical instruments and products. Right now I am just playing a little catch-up, so lets see what I can find about this years show.

On the official NAMM Show website they have a recap of each day including pictures.

Play Guitar Now has a load of great pictures from each day of the show.

Cary at Electric Guitar Review linked to another NAMM 2007 picture gallery at Modern Guitars Magazine that also has a whole bunch of great shots.

Line 6 unveiled the Floor POD Plus basically combining a POD 2.0 with a huge list of premium effects in a portable stomp box floor set.

Gibson announced 11 new guitar models including the digital HD.6X-Pro. Modern Guitars Magazine has all of the details.

Fender showed off the VG Stratocaster, a modeling guitar. It is equipped with a digital pickup, a modeling dial with 37 different models, and a tuning knob that allows you to select from 5 alternate tunings.

Eddie Van Halen and Fender announced a signature EVH Frankenstein replica. The replicas play like a dream but physically feature every nick and mark the original has.

Man, I could probably go all day reading up on all the great stuff to come out of the show… I guess I still have a lot of reading to do.

A great gift that I received for Christmas when I was just starting to play guitar was a chromatic tuner. I had taught myself how to tune the guitar by ear, but my hear wasn’t really trained that well. So even though I tuned my guitar it was generally off. A chromatic tuner was an excellent gift because it helped me learn songs easier by having a guitar that sounded like it was supposed to.

A chromatic tuner has a lot of other uses, like introducing you to alternate tunings and lower tunings like drop d and half or full step down.

The Korg GT-3 digital guitar tuners are a great buy, but pretty much any chromatic tuner will do.
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Alexi Laiho is definitely one of my favourite guitarists. While his sound might not be as unique as that of Eddie Van Halen or Zakk Wylde, it is different enough to pick out. Someone once said to me “How does he make his guitar sound like a Nintendo?”. I believe they were mistaking the keyboard in the song for Alexi, but thats what I like about it. His sound really does harmonize with Children of Bodom’s keyboard very well.

The surprising thing is Alexi Laiho’s rig is very simple. From the single EMG-H4 pickup in his signature ESP to the effect free rack setup, it is literally just plug-and-play. One thing you may have noticed about Alexi’s guitar sound is it has above average amount of base. This is due to a custom gain boost built right into his guitars (copy of a Jackson boost made in the 80s). I personally like that sound a lot, it adds that extra ka-chunk to his rhythm riffs.
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We have all had our Iron Maiden phase right? I know I have… It came just slightly after my Metallica phase and just before my Zakk Wylde phase… Although, I don’t know if I can call it a Zakk Wylde phase if it never ended. Anyway… back to Adrian Smith. Maiden was always known for their harmonizing guitar licks. So lets see what Adrian uses today to bring his music to the ear.

Adrian Smith’s Guitar Rig

Adrian uses a combination of Marshall all tube heads (30th Anniversary) and digital effects to create his sound. One thing that is uncommon is for a guitarist to go both ways… thats right, I’m talking about Fender and Gibson. Adrian uses both American Fender Stratocaster’s (with Floyd Rose) and Gibson SG Standard’s. He has two of both, a main and a backup. The SG is usually tuned to drop-D and is stock. The Strat has SRV Texas Special pickups in the neck and middle pickups with a DiMarzio in the bridge and is in standard tuning. Adrian says that he prefers to use a patch cable to connect his setup to his guitar as opposed to wireless. In fact, he usese a 60-foot Peter Cornish patch cable. He says that he just prefers the sound, whether it actually makes a difference or not, he’s not sure.

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There are many different guitar tuning tools out there ranging from chromatic tuners to self-tuning guitars. The String Master Robotic Guitar Tuner falls somewhere in between.

For the guitarist who doesn’t want to tune his guitar, but doesn’t want to buy a whole new bridge and nut system that’s required for a self-tuning guitar, the Robotic Tuner is here for you. The tuner acts the same way a standard chromatic tuner does, but comes with a tuning peg attachment that tightens your strings for you.

All you have to do is plug your guitar into the tuner, put the tuner over a tuning peg on your guitar. Then pluck the string and the tuner will do the rest. The tuner’s motor turns the tuning peg up to pitch and then will beep when it is in tune. The unit runs off of a 9-volt battery.

In about 2 hours time I will be heading down to the MacEwan Ballroom at the University of Calgary to see Arch Enemy with guests Chimaira. I’m pretty excited for this show, I have never seen Arch Enemy play and I think Michael Amott is a wicked guitarist. In light of this I thought I’d do a post up about Amott’s guitar setup.

Michael Amott uses some complex midi switching on his live setup. Since he does a lot of switching in his songs and he didnt want to go with a multi-effect setup, he settled on a MIDI-controlled Providence looping/switching system.

From Guitar to Amp

It’s not that simple to describe Michael’s setup in list form since he uses multiple effect loops connected to his MIDI switch, but I’ll do my best. (more…)

I know this is a few months old but Popagadget has a post about the new digital internet enabled guitar by Fender and Intel.

Fender and Intel have partnered to create a concept of an internet-enabled super guitar. The new revisited Fender Telecaster will incorporate Intel Centrino mobile technology to allow Internet access on the go. The TELECASTER guitar contains a Hewlett Packard TC1100 tablet laptop with 1.25ghz RAM and an Echo Indigo I/O soundcard.

With the new Fender every musician will be able to download music directly on their “super-guitar”, record new ideas on it and email them directly to whoever they want. It is supposed to even incorporate a webcam, so you can stream yourself rocking onstage to the whole Internet world.

The guitar has a full computer in it with the LCD screen in the back of the body. Watch out for those belt buckles, cause that’s right where the display is.

It sounds like an interesting enough idea to me, but I don’t think it is really innovative enough to sell. I am much more interested in the Gibson digital guitar.

Here is a link to the Intel/Fender Telecaster Concept Guitar on Fender’s website.

Mark Morton’s stage setup is really geared towards mastering the mids. He splits his guitar signal into two channels using a Whirlwind Selector and then runs it through two Mesa/Boogie Mark IV heads. He then sets one of the heads with the mid frequencies scooped and the other with them boosted. Before each show he and his sound tech work together to balance the two heads and get the best sounding mid frequency. (more…)

When recording As I Lay Dying’s 2005 album Shadows are Security, guitarist Phil Sgrosso was introduced to the Krank Revolution Series One head by the album’s mixer Andy Sneap. Since then he wouldn’t dare use anything else for live shows. He is often told how much the live shows sound like the album, which is always great to hear.

As far as live setups go Sgrosso’s is pretty simple and straight to the point. The main focus of his setup is distortion. He has two Krank Revolution Series One 100-watt tube heads (a primary and a backup) hooked into four Mesa/Boogie Recto-Standard straight-front 4×12 cabinets. The cabs house Celestion Vintage 30s. Something that is interesting is that the two upper cabs are not even plugged in. (more…)

Dolan Trout has an interesting post on his blog titled My Guitar History and has encouraged his readers to comment with their current and past gear. This has sparked me to do the same, although I have not owned many guitar’s, I have owned a few, and am now in the market for more!

My first guitar was a gift from a family friend. It’s a Yamaha FG-450SA acoustic that he was storing at our house. While it was at our house I had decided I wanted to learn to play it. When he came back a month later he heard me playing and was impressed with how much I had picked up on my own, so he gave it to me.

That guitar has seen better days… I moved from BC to Alberta and did not pay attention to proper humidity and the guitar dried up and cracked. (more…)